Holy lunatics

Yellow Rabbit’s Dream Machine nearly complete One Yellow Rabbit’s Ottawa debut comes in a flashing tangle of limbs, a ringing soundscape, and, above all, in sublime words. It is a stylish and extremely ambitious presentation, a homage to the literary Beat movement of mid-century America, centred on the legendary (and Canadian-inspired, incidentally) mechanical device that…

The morning after

An XPress sit-down with NAC’s Peter Hinton The Wrong Son begins with a floor – a beautiful, black, lacquered floor that seems to reflect the world like a dark and gleaming pool. It anchors the production, pulls together the simple black and stainless steel accents of the set with an elegance that, in its featureless…